2 Bad Riddims: The Stalag versus The Sleng Teng8
It’s brings me great pleasure to release this episode of the Reggae Lover Podcast which features two riddims that were suggested by my listeners: the Stalag version and the Sleng Teng rhythm. If you have ever been to a reggae dance or concert, you have definitely heard songs on one or both of these legendary riddim tracks which have had a dominating prominence in the dancehall for three decades.
I selected this 22 song playlist out of the hundreds of tunes that have been recorded over these versions. The mix is comprised mostly of the original cuts produced by Winston “Techniques” Riley and Lloyd ‘King Jammy’ James. Please submit playlist suggestions and feedback to ReggaeLoverPodcast@gmail.com.
In Jamaica, the Stalag version (or Stalag riddim) is a popular reggae rhythm, which came to prominence in the 1970s. It was originally written and performed as “Stalag 17” (named after the 1953 war film) by Ansell Collins, and released by Winston Riley‘s Techniques record label in 1973.
It was mainly used for dub instrumental versions, often b-sides of records. The rhythm also influenced early hip-hop, and can be discerned on Public Enemy’s hit ‘Don’t Believe the Hype’ as well as on Too Short’s Blowjob Betty.
Sleng Teng is the name given to the first fully computerized riddim in Jamaican music. The riddim, which was created by the collaboration between King Jammy and Wayne Smith, was titled “Under Mi Sleng Teng“. Wayne Smith found the computerized sound in Noel Davey’s keyboard, and together he and Davey arranged the riddim, slowed it down, matched it to Smith’s key, and rehearsed on it with lyrics inspired by Barrington Levy’s “Under Mi Sensi” and Yellowman’s “Under me fat ting”, before taking it to Jammy’s studio in late 1984. The riddim itself is apparently an attempt to recreate Eddie Cochran’s 1959 rockabilly song “Somethin’ Else.” It is a pattern found in the Casio MT-40 home keyboard.
After the riddim was brought to the studio and Jammy heard it, he then slowed it further and placed piano and a clap on it. Jammy recorded a number of other artists on the original backing track including Tenor Saw (with “Pumpkin Belly”), and Johnny Osbourne (with “Buddy Bye”). The tunes were first unleashed at a now legendary soundclash between Jammy’s own sound system and Black Scorpio at Waltham Park Road on February 23, 1985.
Stalag 17 Playlist
1 Frankie Paul – Don’t Worry Yourself – Volcano
2 General Echo – Arlene – Techniques
3 Admiral Tibett – Trouble To A Man – Techniques
4 Little Kirk – Whats Love Got To Do – Techniques
5 Yami Bolo – Take It Easy – Techniques
6 Cocoa Tea – We Do The Killing – Digital B
7 Super Beagle – Soundboy Dust Out – Techniques
8 Tenor Saw and Buju Banton – Ring The Alarm Quick – Techniques
9 Sister Nancy – Bam Bam – Techniques
10 Cutty Ranks – Rude Bwoy Game – Techniques
11 Nicodemus – Suzy Wong – Skengdon
Sleng Teng Playlist
1 Wayne Smith – Under Me Sleng Teng – Jammys
2 Tenor Saw – Pumpkin Belly – Jammys
3 Echo Minott – Original Fat Ting – Jammys
4 Buddy Bye – Johnny Osbourne – Jammys
5 Josey Wales – Cowboy Style – Jammys
6 Yelloman – Reggae Ambassador – Jammys
7 Tony Curtis – Weak – John John
8 Anthony Red Rose – Under Me Fat Ting – King Tubbys
9 John Wayne – Call The Police For Me – Jammys
10 Super Cat – Trash and Ready – Jammys
11 Frankie Paul – Cassandra – Steely and Clevie
Crucial Selections from The ‘A Love I Can Feel’ Rhythm4
This is another listener suggested mix specially prepared for the reggae lover podcast.
The ‘A Love I Can Feel‘ rhythm was first released on a vocal by John Holt under the same name in 1970. It was produced by Coxsone Dodd at Studio One and was a sizeable hit. John Holt re-recorded his original vocal a number of times (about once per decade) including for Henry ‘Junjo’ Lawes’ Volcano label, King Jammy, and the Parish label. The rhythm has been used around 100 times, most frequently by King Jammy and Donovon Germain of Penthouse Records.
Please download using the link below, and feel free to spread the word to fellow reggae lovers. Also email email@example.com to make suggestions, requests or comments, and to get additional information.
1 John Holt – A Love I Can Feel – Studio One
2 Dennis Alcapone – A Love I Can Feel – Studio One
3 Freddie McGregor – When I’m Ready – Studio One
4 George Scott – Love You Still – Studio One
5 Cornell Campbell – Give Your Love To Me – Gorgon
6 Prince Jazzbo – Straight To I-Roy Head – Lagoon
7 Shinehead – Golden Touch – African Love
8 Josey Wales – Weh Dem A Go Do “86″ – Tuff Gong
9 Nana McClean – Nana’s Medley – Penthouse
10 Sanchez – Wont Last A Day – Germain
11 Tony Tuff – I’ve Got To Get You – Penthouse
12 Richie Stephens – Trying To Get To You – Penthouse
13 Tony Rebel – Fresh Vegetable – Penthouse
14 Pinchers – Stand By Me Pt. 2 – Penthouse
15 Sanchez – I Can’t Wait – Digital B
16 Beres Hammond – Tempted To Touch
17 Beres Hammond and Cutty Ranks – Love Me Haffi Get
18 Pinchers – Dreams and Illusions – Jammys
19 Frankie Paul – Benefit of the Doubt – Black Scorpio
A special reggae treat celebrating a new year. #RocksteadyATL2
Barrington Levy Roots, Reality, and Culture Mix5
Barrington Levy is one of the only reggae singers to have great success throughout the entire decade of the the 1980s. He recorded prolifically with many of his releases topping charts in Jamaica and the UK while he maintained his relevance in the dancehall from then until now.
A Reggae Lover Podcast listener suggested that I feature Barrington’s work, so I have selected this portion of tunes which highlights some of my favorite reality tunes and features many of the Joe Gibbs and Volcano roots recordings. A follow-up mix that covers lovers rock will be coming soon.
Barrington Levy Playlist:
1 Now A Days
2 Don’t Fuss or Fight
3 Do Good
5 Too Poor
6 Praise His Name
8 Under Me Sensi
9 Collie Weed
10 Dont Pretend
11 Mine Your Mouth
12 This Little Boy
13 Jah Is With Me
14 Prison Oval Rock
15 Money Move
16 Teach The Youths
17 Black Roses
18 My Time
1990s Roots Reggae: Garnet Silk, Luciano, Anthony B #BlackLivesMatter8
Reggae Lover Podcast Episode 34 opens with Queen Ifrica, Anthony B, and Bushman singing about police brutality from a Jamaican perspective.
Riddims featured include Tempo, Shank I Sheck, Rockfort Rock, Promised Land, and Darker Shade of Black plus 1996’s masterpiece from Flames Productions, the Lalabella among others, while the subject-matter is conscious, spiritual and cultural.
The finale is “Splashing Dashing” (the 23rd Psalm) being performed by Garnett Silk on the Champion of the Arena riddim, released on the Fattis Burrell’s Exterminator record label. Rest In Peace to Garnett Silk who flew away home to Zion almost exactly 20 years ago.
1 Queen Ifrica – Babylon Blunder
2 Anthony B – Good Cop
3 Anthony B – Police
4 Anthony B – Fire Bun Now
5 Bushman – Robbery
6 Aaron Silk – The Right Path
7 Uton Green – No Looking Back
8 Lebanculah and Sugar Black – Oh Jah
9 Everton Blender – Ghetto People Song
10 Tony Rebel – Why Be Afraid
11 Bounty Killer and Junior Reid – This World Too Haunted
12 Glen Washington – Why
13 Garnett Silk and Capleton – Complaint
14 Luciano – One Way Ticket
15 Luciano – Raggamuffin
16 Everton Blender – Blow Your Nose
17 Beres Hammond – Freedom
18 Garnett Silk – Splashing Dashing
Rocksteady ATL Dec 7, 2014 – Cartel Sound and DJ Passport Live Audio
#RocksteadyATL Cartel Sound live
#RocksteadyATL DJ Passport live
Etana’s 2014 Album “I Rise” is Absolutely Unbelievable!!1
Congratulations to Etana on the release of her 4th studio album ‘I Rise‘ which is quite simply a masterpiece – the best work thus far from this talented singer. Etana’s captivating vocals shine as listeners are taken on a journey to musical heaven.
Songs like “Emancipation,” “I Rise,” and “Stepping Out of Babylon” rally the righteous troops. There is encouragement offered in “On My Way,” while the social commentary laden “How Long” poses serious questions to the powers that be about their disregard for the underprivileged.
The sweet melodies of Etana’s powerful voice mesmerize with sultry delivery on “Love Song,” and reassuring confidence on “By Your Side.” On the black women’s anthem “Jamaican Woman,” we are reminded that the meaning of Etana’s name itself is the strong one, while “Selassie Is The Chapel.” and “Jah Jah,” are food for the soul.
All 15 tracks were produced to perfection by the living legend Clive Hunt together with internationally acclaimed instrumentalists including the great Sly and Robbie. I Rise would not disappoint as a gift for this holiday season and is an essential pick for and reggae collection.
Download Album on iTunes: I Rise – Etana.
Purchase Album CD on Amazon: Etana – I Rise.
ROCKSTEADY – Roots Reggae Monthly in ATL at The Sound Table [PICS]
Essential Reggae Riddims that Originated at Studio One2
Sir Coxsone Dodd‘s legacy is large and in charge here at the Reggae Lover Podcast. This episode was created to feed the demand for more Studio 1 sounds. Listen for remakes of foundation riddims like Far East, Boops, Entertainment, Love Bump, and more.
1 Wayne Wonder – Can’t Test Highlanda (dub plate)
2 Lady Ann – Informer
3 Yami Bolo – The Father Vex And Strike Back
4 Robert French – Meet Me By The River
5 Icho Candy – Selassie I
6 Tristan Palmer – Entertainment
7 Amazin Papa G (R.B.I Crew) – Miss Good Looking (dub plate)
8 White Mice – True Love
9 Andrew Bell – Listen To The Words (dubplate)
10 Mikey Melody – Highlanda A Big Bad Sound (dubplate)
11 Johnny Slaughter – Confusion
12 Gregory Isaacs – Lead Me
13 Cocoa Tea – Rikers Island
14 Sanchez featuring Bounty Killer – Searching
15 J.C. Lodge – Love Rewind
16 Maxi Priest – Bonafied Love
17 Sanchez – Rearrange My Live
18 Gregory Isaacs – Greedy For You Love
19 Singing Melody featuring Mad Cobra – Your Wish
20 Busy Signal – Dem Nuh Care
21 Busy Signal – Dat Me Love
22 Romain Virgo – Live Mi Life
Rocksteady’s Special Sagittarius Edition Sunday Dec. 7th 20146
Rocksteady, Atlanta’s ONLY monthly Roots Reggae event returns this weekend! Join us Sunday December 7th, 2014 at the Sound Table (Voted BEST of ATLANTA 2014 by Atlanta Magazine, and previously dubbed BEST PLACE to have a DRINK in the city of ATL).
This time around hosting duties will be handled by Atlanta Reggae artist SHOOKS S.L.R who will be celebrating his Earth Strong inna rubadub style and pattern with Music by residents Kahlil Wonda of Highlanda Sound and DJ Passport, plus special guests CARTEL SOUND with DJ Phillip 5 and the crew.
Doors Open 8pm – Midnight; No Cover Charge; RSVP to VaultClassics@gmail.com. Must be 21+.
The Sound Table is located at 483 Edgewood Ave (corner of Boulevard) in downtown Atlanta’s revitalized Old Fourth Ward community.