In the previous Reggae Lover episode, we described the foundation of Highlanda Sound. This show chronicles what happened from our first gig to present.
In the late ’90s, the three young lions that started Highlanda Sound vowed to become one of the most dangerous sound systems that played mostly 45s. We committed to learning and practicing the arts of selecting and juggling in the dancehall arena. We set out to bring a different level of energy to the scene in Atlanta. We prided ourselves on being versatile enough to entertain any type of crowd.
We accomplished all that and more. Listen to the evolution that led to this podcast.
AGARD and I are the special guests on this episode. As the hosts, we took time out to re-introduce ourselves, talk about who we are, where we come from, and how we got into the music industry. This is part one of this “flashback” conversation.
The “No Music No Vote” campaign is one of the Jamaican entertainment industry’s responses to the Noise Abatement Act. The law, originally passed in 1997, recently became stricter. Now all events have to lock off by midnight on weeknights and 2 a.m. on the weekend.
Click to access this podcast episode.
The far-reaching implications of the Noise Abatement Act.
Responses from key entertainment industry players.
London Based DJ AYITO schools the Reggae Lover team on the Roots, Dub, and Steppas scene in the U.K. plus her journey as a rising female selector in a male-dominated industry.
“No matter what I go through, no matter how bad my day… as soon as I play [Reggae] music it just takes away all of the pain. It doesn’t only take the pain away, it just replaces it with pure joy and bliss. It’s a spiritual thing for me. I know it may sound a bit extreme, but I think this is the closest I can get to meeting God. It’s that feeling that [Reggae] injects in me.” ~ AYITO