Kahlil Wonda analyzing the top 5 reality tunes from reggae’s best decade.Kahlil has pieced together his personal top-ranking 90’s culture selections.
Buzzworthy – Buju Banton Drew a Massive Crowd In Kenya For First Post Prison Show In Africa.Banton rocks mega-concert at the Kenyatta International Convention Centre (KICC) ground. Does the First radio interview in years on NRG Radio in Kenya.
Tastemaker – Keznamdi & Tory Lanez Fuse Reggae & Hip-Hop on New ‘City Lock’ Single
Soundclash Update – Addies vs Stone Wall at King of Kings #3 in Antigua. King Addies is victorious.
All the Grammy nominees in the best reggae album category are winners. That one category is not enough to represent Caribbean music.
Enter IRAWMA. The International Reggae and World Music Awards is a platform for us to honor our own. This award show hasn’t gotten the attention that it deserves and this needs to change.
We talked through some of the categories on the IRAWMA 2019 list and give our predictions. Visit the IRAWMA site for the chance to review and vote on each category. [https://irawma.com/vote-now/] Voting ends March 12, 2020.
Elephant Man – Wap Bap prod. by Massive B • Bobby Konders.
The superstar talks about his recently released album entitled “It All Comes Back to Love.” The project was executive produced by Shaggy.
We preview the album’s title track “It All Comes Back To Love” and “My Pillow’ which sound classic.
Listen for “It’s a Summertime Vibe” feat. Bounty Killer, and Maxi’s favorite cut, “The Bridge You Burn.”
Also, “Cool Nuh” with Shaggy, and “Anything You Want” with Estelle and Anthony Hamilton. Maxi takes us back to his early days in East London lifting speaker boxes. The singer walks us through an evolution forged in London’s sound system scene.
He was the first reggae artist to have a No. 1 hit worldwide, including the U.S. Billboard charts. There’s so much to learn from this fun conversation with the living legend, Maxi Priest.
Kerry-Ann Reid-Brown is the Jamaican born, New York City-based founder of Breadfruit Media; a podcast production company that provides strategy, development, and production of stories by Caribbean Americans on a variety of topics reflecting the diversity of experiences of the Caribbean’s global diaspora.
She is also the host of Carry On Friends – The Caribbean American Podcast, a show with authentically energetic Caribbean vibes, and thoughtful dialogue around culture, heritage, career, and everyday life that make up the Caribbean American experience.
When Kerry-Ann isn’t producing or recording episodes, she’s building a community with the Caribbean Podcast Directory which is a growing list of podcasts created by people of Caribbean Heritage whether in the region or in the diaspora.
A prestigious belt title on the line, the second installment of the exciting, competitive series goes down on Friday, October 18, 2019, in North America’s soundclash mecca—New York City. This epic, one-on-one, musical square off features the crowned “King of Europe”, Germany’s Supersonic Sound as the first-ever WFC belt challenger, versus USA’s defending WFC champion King Shine from New Jersey.
King Shine’s battle-tested selector, Jimmy Spliff, made history by earning the very first WFC champion title in the inaugural “Round 1” event, in March 2019. Having killed two New York City sounds (in NYC), he established King Shine as the Tri-State WFC Champion—but, the upcoming WFC2 is for the international title.
Supersonic, is an accomplished powerhouse that has competed over industry icons like Mighty Crown, Sound Trooper, Freddie Krueger, King Turbo and legendary Black Kat–to name only a few.
Nominated by global sound clash fans on social media, and later selected by legendary King Addies, Supersonic re-enters the arena after being off of the battlefield for 4 years—which is what aficionados of the culture consider “parked” (out of the game/no longer competing).
Additionally, the Berlin-based heavyweight hasn’t competed on US soil in over 6 years. Meanwhile, King Shine has been coming up in the ranks and killing respected sounds like Sound Trooper, Pink Panther, Earthruler, Alaska Sound and more. King Shine is one of the most active competing sound systems in the world. Since earning the champion title, they’ve already dominated and won 3 one-on-one bouts, in the USA and Canada.
With WFC2 right around the corner, the writing is on the wall: Supersonic will either dispel the “rusty gun” myth and reclaim their prominence as a formidable force to be reckoned with, ah yawd in Europe (their turf) and abroad; or, Jimmy Spliff may slay the biggest giant in the eastern hemisphere of the world, and confirm King Shine is indeed a heavyweight. World Fight Club is an emerging, cutting edge brand, created by experienced sound clash experts, which offers a fresh approach to a long-existing, ever-evolving and growing industry.
For several decades, sound clash entertainment events have been taking place in established and new markets such as Japan, various European countries, the UK, Africa, South America, across the Caribbean and of course its birthplace—Jamaica.
And over the years, events have pulled various sized crowds ranging from a small circle of friends at underground bouts, to more recently over 20K exhilarated patrons in one event.
A new arena for champions, WFC is an ongoing battle series for musical supremacy and it’s all about dominating crowd approval, donning the beautiful belt and big bragging rights.
Yet, the WFC league stands out among other clash brands because only true thoroughbreds in the global arena can face the ultimate test of top tier musical savvy, and wit, in WFCs classic format of fewer sounds competing, in longer timed rounds. But most importantly, the champ must be prepared to defend the coveted belt versus any challenger selected by the producers, to keep the title.
This musical war of worlds will be covered and broadcasted internationally on “The Release” television program, which targets over 19 million viewers across the USA, Canada, Jamaica and other Caribbean nations on 5 cable television networks including CIN, CEEN, CVM, HYPE TV, and READY TV. WFC is produced by North America’s #1 sound system, legendary King Addies. They have also been barrier-breaking, competitors in the culture for the last 36 years.
Highly respected and referred to as the “Iron Fist of New York” by other industry titans, their promotional team also includes Tru Money Musiq, Irie Jam Radio, Reggae Vibes Media, PowerOfReggae.com, Britelite Promotions, Tek9 Promotions, and Impulse Nation.
WFC invites all mainstream DJs, and their fans, to get involved. Co-founder Shinez said, “Everyone loves music and exciting competition. Soundclash is the best of both worlds and [the] World Fight Club is the ultimate experience.”
Download and tune into the Irie Jam 360 app on Tuesday, October 15th at 9 pm ET for the live pre-clash press conference. Meet Supersonic at the Pre-WFC party on Wednesday, October 16th at Club Timehri’s, in Washington DC. Come out to the main event on Friday, October 18 at Lodricka Hall in Queens, NY. Join the movement and buy tickets at WorldFightClub.Eventbrite.com
In the previous Reggae Lover episode, we described the foundation of Highlanda Sound. This show chronicles what happened from our first gig to present.
In the late ’90s, the three young lions that started Highlanda Sound vowed to become one of the most dangerous sound systems that played mostly 45s. We committed to learning and practicing the arts of selecting and juggling in the dancehall arena. We set out to bring a different level of energy to the scene in Atlanta. We prided ourselves on being versatile enough to entertain any type of crowd.
We accomplished all that and more. Listen to the evolution that led to this podcast.
AGARD and I are the special guests on this episode. As the hosts, we took time out to re-introduce ourselves, talk about who we are, where we come from, and how we got into the music industry. This is part one of this “flashback” conversation.
The “No Music No Vote” campaign is one of the Jamaican entertainment industry’s responses to the Noise Abatement Act. The law, originally passed in 1997, recently became stricter. Now all events have to lock off by midnight on weeknights and 2 a.m. on the weekend.
Click to access this podcast episode.
The far-reaching implications of the Noise Abatement Act.
Responses from key entertainment industry players.