Gaining Access

“Gaining Access” with guest Odessa Chambers, a publicist and television producer based in Kingston.  She is the creator of O-Access Jamaica and host of the podcast “Reasonings with Odessa.” Episode 174 (Season 5, Ep. 2)

Reggae Lover O Access Jamaica Podcast

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Buzzworthy

  • Koffee to perform SuperBowl Weekend
  • Buju Banton on Bad Boys Forever soundtrack

Tastemaker

  • Kahlil Wonda: Mortimer’s EP ‘Fight the Fight,’ and Single, “Lightning.”

  • AGARD: Salaam Remi, Buccaneer, and Red Rat, “No Normal Lover.”

Soundclash Update

  • Mighty Crown meets with Prime Ministers
  • World Clash Finale lineup released

Main Segment

Interview with Odessa.

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Best of 2019 Reggae and Dancehall

Happy New Year!  We’re back with a Reggae Lover recap of 2019.  Also predictions for 2020 like “Most likely to Fade,” and “Most Likely to Blow Up,” plus Grammy predictions.

Reggae Lover Podcast 2020

 

Listen to this break down of the 2019 Reggae superlatives:

Song of the year:
  • Koffee – Toast
 
Album of the year mentions:
  • Tarrus Riley – BLEM (EP)
  • Koffee – Rapture (EP)
  • Walshy Fire – Abeng
  • Third World – Work To Be Done
  • Bugle – Picture Perfect
  • Jah Cure – Masterpiece
 
Clash Sound of the year mentions:
  • Notorious
  • Stone Wall
  • King Shine
  • Young Hawk
  • Warrior
  • Dynamq
  • Jah Mikey One
 
Juggling Sound of the year mentions:
  • King Addies
  • David Rodigan
  • Rory Stone Love
  • Stone Love
  • Bass Odyssey
 
Best Sound System event audio:
  • Reeewind 2019 (Crowning of U-Roy)
 
Promoter of the year mentions:
  • Irish and Chin
  • Shawn Pipa
  • Rockers Unltd
  • David Driveway
 
Concert of the year:
  • Reggae Sumfest
  • Long Walk to Freedom Concert (Jamaica)
Podcast cover image: reggae lover

 

We also introduced three new micro-segments that will be recurring on this season of the podcast:

  • Buzzworthy – Welcome to Jamrock Cruise
  • Tastemaker – Rock and Groove Riddim; Fareal – Gravy
  • Soundclash Update – Clash at Sea 2019
 

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Make Money in Teaching Cello

Teaching can be intimidating. Especially when you’re teaching one of the most intricate instruments to learn – cello.

You need to have the skills, experience, and expertise to be able to relate and connect with your aspiring students. However, there are ways that you may practice to make money as an efficient cello instructor.

Warm Teaching Space
There are various locations you can choose from in teaching cello – music classroom, a student’s home or room, or your preferred place. Whichever location you choose, it’s important that you keep the place quiet, tidy and well-lit so that the student can focus on the lessons to be provided.

It should also inspire and create a sense of perseverance among your students through posting music-related materials such as but not limited to other instruments, music player devices, and pictures.

Lesson Payments
Pricing your service as an instructor can be quite difficult. If you don’t have prior experience in teaching cellos, you can reduce the regular payment of a professional cello teacher by 20% – 40%. However, it’s best to do your research – don’t overprice or underprice the service you are to offer to your students.

Agreement between the Teacher and Student
It’s vital to establish a common ground between you and your students. Agreements may include lessons to be provided, monitoring if the goals and or expectations from both parties are met, number of teaching hours to be provided in a day, and other relevant matters.

You may put this into writing or not, but as this is a form of business, it’s ideal that agreement between you and the students is put into writing.

Monitoring of Lessons and Progress
An outline or module helps you to customize lessons that vary on the level of skill of your student. Without it, you won’t be able to accurately track if the student was able to reach the level of mastery that is expected.

It’s best to create short-term and long-term goals for your students to see how far they’ve gone from the very time you’ve taught them. Lesson plans can also aide in identifying the appropriate teaching method (e.g. reading books, video materials) that best help a student to learn a lesson effectively.

You may seek advice from other teachers who are teaching the same instrument so you can obtain tips and techniques to keep your students engaged and motivated with the lessons you are to provide.

Be Your Own Teacher
Of course, you should practice what you are about to teach as this shows mastery of the lesson and creates a credible reputation towards the student. It can also help you to address future difficulties that a student may face upon learning a specific lesson.

Do not stop learning even if you’re the one extending a knowledge to another person. It molds you to become better both in teaching and playing the instrument if you’re always hungry for growth and development.

Patience
As one would say, patience is a virtue. All lesson plans and techniques would not be beneficial if you don’t have the patience towards your students – may it be a fast learner or not. You should always bear in mind that you are once a student who had a hard time learning how to become a cellist.

Making a fortune as a cello teacher takes a lot of preparation and effort. Thus, putting thorough planning in teaching can bring rewards and success unto this career path you’ve chosen.

Season Finale of Reggae Lover

This season finale opens a few cans of worms. 

Questions come up like:

  • Is the stereotype that Jamaicans don’t like soca dead?
  • Does the Red Bull Culture Clash clash with soundclash culture?
  • Has Afrobeat replaced Dancehall for real?
  • Do young people everywhere know who Bad Bunny and Afro B are? Do they know Chronic Law and Squash?
  • We will be back in 2020 with amazing new content and this year was a blast. 

Reggae Lover Podcast 2019

 

We take a few minutes at the top for our favorite memories and takeaways from this season. Also, we do some shout outs and let you know how you can interact and support the show.

Thank you so much for the love over the last 47 episodes.  Don’t forget to check out our archives (talk and mixes) and please enjoy your Christmas and New Year celebrations safely.

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DJ RunDat: Best-Selling “How to start a DJ Business” Author

Boss Mama Michelle Miller aka DJ RunDat, guests on Reggae Lover.  DJ RunDat is known for her gift to inspire others to fulfill their dreams while fulfilling her own.  In 2019, she became the best selling author of, “How to start a DJ business,” launched her first digital course, an online show, and a mentorship business.

 

Topics discussed included:

  • Her roots in Humbolt County, CA., home of the Reggae on the River festival.
  • How she has grown her DJ hobby into a very profitable business.
  • Becoming a best-selling author.
  • The online show, “Queens on Decks,” where she interviews female DJs from around the world.
  • Her Facebook group, “Female DJs” where DJs network and support each other. 
  • Is Afrobeat replacing Dancehall?
  • Support for and connection with Jamaican reggae music in California.
  • The absence of “Reggae On The River” and “Sierra Nevada World Music Festival in 2019.”
  • Speaking at the Mobile Beat DJ Convention in Las Vegas 2020.
  • Balancing family life and being a mother with her career.

Learn more about DJ RunDat www.djrundat.com.

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Maxi Priest: It All Comes Back to Love

Maxi Priest guests on Reggae Lover.

 

The superstar talks about his recently released album entitled “It All Comes Back to Love.” The project was executive produced by Shaggy.
We preview the album’s title track “It All Comes Back To Love” and “My Pillow’ which sound classic.
Listen for “It’s a Summertime Vibe” feat. Bounty Killer, and Maxi’s favorite cut, “The Bridge You Burn.”
 
Also, “Cool Nuh” with Shaggy, and “Anything You Want” with Estelle and Anthony Hamilton. Maxi takes us back to his early days in East London lifting speaker boxes. The singer walks us through an evolution forged in London’s sound system scene.
 
He was the first reggae artist to have a No. 1 hit worldwide, including the U.S. Billboard charts. There’s so much to learn from this fun conversation with the living legend, Maxi Priest.

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Stream or buy the album, here: https://maxipriest.ffm.to/love
 
For more information, please visit: http://www.maxipriest.com
 
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King Addies Music: King Pin and Killa Boo on Reggae Lover

An exclusive in-depth interview with selectors Killa Boo and King Pin of King Addies. King Addies is an International Sound System created in 1983 in Brooklyn, New York City. They remain a force to reckon with in the sound clash arena and a top choice for juggling.

 

Among Topics Discussed in this Episode:
2:15 – The History of King Addies.
5:51 – How Killa Boo became an Addies selector.
9:40 – How King Pin joined the King sound.
13:16 – Earning the trust of Addies fanatical supporters.
18:10 – The dubplate creation process.
19:25 – King Addies Promotions: Welcome to New Lots party & World Fight Club soundclash league.
22:53 – Who is next on Addies kill list.
24:00 – Why the soundclash business is not the same today.
26:35 – Why “big sounds” are afraid to take the battlefield nowadays.
30:53 – Addies radio movements: World Power Hour & Sunday’s w/ Addies HiFi (Selector ObRas)
34:01 – King Addies Fall Europe Tour 2019
36:30 – King Addies productions: True Dreams Riddim 2019
38:25 – The state of reggae/dancehall music right now

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World Fight Club Round 2

Interviews with Jimmy Spliff of King Shine and Panza from Supersonic as they prepare to square off in Round 2 of the World Fight Club (WFC) sound clash league.  

 

More on the WFC

A prestigious belt title on the line, the second installment of the exciting, competitive series goes down on Friday, October 18, 2019, in North America’s soundclash mecca—New York City.  This epic, one-on-one, musical square off features the crowned “King of Europe”, Germany’s Supersonic Sound as the first-ever WFC belt challenger, versus USA’s defending WFC champion King Shine from New Jersey.
King Shine’s battle-tested selector, Jimmy Spliff, made history by earning the very first WFC champion title in the inaugural “Round 1” event, in March 2019 Having killed two New York City sounds (in NYC), he established King Shine as the Tri-State WFC Champion—but, the upcoming WFC2 is for the international title.
Supersonic, is an accomplished powerhouse that has competed over industry icons like Mighty Crown, Sound Trooper, Freddie Krueger, King Turbo and legendary Black Kat–to name only a few.
Nominated by global sound clash fans on social media, and later selected by legendary King Addies, Supersonic re-enters the arena after being off of the battlefield for 4 years—which is what aficionados of the culture consider “parked” (out of the game/no longer competing).
Additionally, the Berlin-based heavyweight hasn’t competed on US soil in over 6 years.  Meanwhile, King Shine has been coming up in the ranks and killing respected sounds like Sound Trooper, Pink Panther, Earthruler, Alaska Sound and more. King Shine is one of the most active competing sound systems in the world. Since earning the champion title, they’ve already dominated and won 3 one-on-one bouts, in the USA and Canada.
With WFC2 right around the corner, the writing is on the wall: Supersonic will either dispel the “rusty gun” myth and reclaim their prominence as a formidable force to be reckoned with, ah yawd in Europe (their turf) and abroad; or, Jimmy Spliff may slay the biggest giant in the eastern hemisphere of the world, and confirm King Shine is indeed a heavyweight. World Fight Club is an emerging, cutting edge brand, created by experienced sound clash experts, which offers a fresh approach to a long-existing, ever-evolving and growing industry.
For several decades, sound clash entertainment events have been taking place in established and new markets such as Japan, various European countries, the UK, Africa, South America, across the Caribbean and of course its birthplace—Jamaica.
And over the years, events have pulled various sized crowds ranging from a small circle of friends at underground bouts, to more recently over 20K exhilarated patrons in one event.
A new arena for champions, WFC is an ongoing battle series for musical supremacy and it’s all about dominating crowd approval, donning the beautiful belt and big bragging rights.
Yet, the WFC league stands out among other clash brands because only true thoroughbreds in the global arena can face the ultimate test of top tier musical savvy, and wit, in WFCs classic format of fewer sounds competing, in longer timed rounds. But most importantly, the champ must be prepared to defend the coveted belt versus any challenger selected by the producers, to keep the title.
This musical war of worlds will be covered and broadcasted internationally onThe Releasetelevision program, which targets over 19 million viewers across the USA, Canada, Jamaica and other Caribbean nations on 5 cable television networks including CIN, CEEN, CVM, HYPE TV, and READY TV. WFC is produced by North America’s #1 sound system, legendary King Addies. They have also been barrier-breaking, competitors in the culture for the last 36 years.
Highly respected and referred to as the “Iron Fist of New York” by other industry titans, their promotional team also includes Tru Money Musiq, Irie Jam Radio, Reggae Vibes Media, PowerOfReggae.com, Britelite Promotions, Tek9 Promotions, and Impulse Nation.
WFC invites all mainstream DJs, and their fans, to get involved. Co-founder Shinez said, “Everyone loves music and exciting competition. Soundclash is the best of both worlds and [the] World Fight Club is the ultimate experience.”
Download and tune into the Irie Jam 360 app on Tuesday, October 15th at 9 pm ET for the live pre-clash press conference. Meet Supersonic at the Pre-WFC party on Wednesday, October 16th at Club Timehri’s, in Washington DC. Come out to the main event on Friday, October 18 at Lodricka Hall in Queens, NY. Join the movement and buy tickets at WorldFightClub.Eventbrite.com

 

 

 

No Music No Vote – Reactions to the Noise Abatement Act

The “No Music No Vote” campaign is one of the Jamaican entertainment industry’s responses to the Noise Abatement Act. The law, originally passed in 1997, recently became stricter. Now all events have to lock off by midnight on weeknights and 2 a.m. on the weekend.

Click to access this podcast episode.

Topics Covered:
  • The far-reaching implications of the Noise Abatement Act.
  • Responses from key entertainment industry players.
  • Responses from various government officials.
  • Potential solutions and “silver linings”.

Roots in the West End – Saturday, Aug 31 @ Gallery 992

End of Summer edition of Roots in the West End featuring Highlanda Sound, Farinheits Creation, Cosmic Lovebeat and Buddy Folks!

Roots in the West End