Boss Mama Michelle Miller aka DJ RunDat, guests on Reggae Lover. DJ RunDat is known for her gift to inspire others to fulfill their dreams while fulfilling her own. In 2019, she became the best selling author of, “How to start a DJ business,” launched her first digital course, an online show, and a mentorship business.
Topics discussed included:
Her roots in Humbolt County, CA., home of the Reggae on the River festival.
How she has grown her DJ hobby into a very profitable business.
Becoming a best-selling author.
The online show, “Queens on Decks,” where she interviews female DJs from around the world.
Her Facebook group, “Female DJs” where DJs network and support each other.
Is Afrobeat replacing Dancehall?
Support for and connection with Jamaican reggae music in California.
The absence of “Reggae On The River” and “Sierra Nevada World Music Festival in 2019.”
Speaking at the Mobile Beat DJ Convention in Las Vegas 2020.
Balancing family life and being a mother with her career.
The superstar talks about his recently released album entitled “It All Comes Back to Love.” The project was executive produced by Shaggy.
We preview the album’s title track “It All Comes Back To Love” and “My Pillow’ which sound classic.
Listen for “It’s a Summertime Vibe” feat. Bounty Killer, and Maxi’s favorite cut, “The Bridge You Burn.”
Also, “Cool Nuh” with Shaggy, and “Anything You Want” with Estelle and Anthony Hamilton. Maxi takes us back to his early days in East London lifting speaker boxes. The singer walks us through an evolution forged in London’s sound system scene.
He was the first reggae artist to have a No. 1 hit worldwide, including the U.S. Billboard charts. There’s so much to learn from this fun conversation with the living legend, Maxi Priest.
An exclusive in-depth interview with selectors Killa Boo and King Pin of King Addies. King Addies is an International Sound System created in 1983 in Brooklyn, New York City. They remain a force to reckon with in the sound clash arena and a top choice for juggling.
A prestigious belt title on the line, the second installment of the exciting, competitive series goes down on Friday, October 18, 2019, in North America’s soundclash mecca—New York City. This epic, one-on-one, musical square off features the crowned “King of Europe”, Germany’s Supersonic Sound as the first-ever WFC belt challenger, versus USA’s defending WFC champion King Shine from New Jersey.
King Shine’s battle-tested selector, Jimmy Spliff, made history by earning the very first WFC champion title in the inaugural “Round 1” event, in March 2019. Having killed two New York City sounds (in NYC), he established King Shine as the Tri-State WFC Champion—but, the upcoming WFC2 is for the international title.
Supersonic, is an accomplished powerhouse that has competed over industry icons like Mighty Crown, Sound Trooper, Freddie Krueger, King Turbo and legendary Black Kat–to name only a few.
Nominated by global sound clash fans on social media, and later selected by legendary King Addies, Supersonic re-enters the arena after being off of the battlefield for 4 years—which is what aficionados of the culture consider “parked” (out of the game/no longer competing).
Additionally, the Berlin-based heavyweight hasn’t competed on US soil in over 6 years. Meanwhile, King Shine has been coming up in the ranks and killing respected sounds like Sound Trooper, Pink Panther, Earthruler, Alaska Sound and more. King Shine is one of the most active competing sound systems in the world. Since earning the champion title, they’ve already dominated and won 3 one-on-one bouts, in the USA and Canada.
With WFC2 right around the corner, the writing is on the wall: Supersonic will either dispel the “rusty gun” myth and reclaim their prominence as a formidable force to be reckoned with, ah yawd in Europe (their turf) and abroad; or, Jimmy Spliff may slay the biggest giant in the eastern hemisphere of the world, and confirm King Shine is indeed a heavyweight. World Fight Club is an emerging, cutting edge brand, created by experienced sound clash experts, which offers a fresh approach to a long-existing, ever-evolving and growing industry.
For several decades, sound clash entertainment events have been taking place in established and new markets such as Japan, various European countries, the UK, Africa, South America, across the Caribbean and of course its birthplace—Jamaica.
And over the years, events have pulled various sized crowds ranging from a small circle of friends at underground bouts, to more recently over 20K exhilarated patrons in one event.
A new arena for champions, WFC is an ongoing battle series for musical supremacy and it’s all about dominating crowd approval, donning the beautiful belt and big bragging rights.
Yet, the WFC league stands out among other clash brands because only true thoroughbreds in the global arena can face the ultimate test of top tier musical savvy, and wit, in WFCs classic format of fewer sounds competing, in longer timed rounds. But most importantly, the champ must be prepared to defend the coveted belt versus any challenger selected by the producers, to keep the title.
This musical war of worlds will be covered and broadcasted internationally on “The Release” television program, which targets over 19 million viewers across the USA, Canada, Jamaica and other Caribbean nations on 5 cable television networks including CIN, CEEN, CVM, HYPE TV, and READY TV. WFC is produced by North America’s #1 sound system, legendary King Addies. They have also been barrier-breaking, competitors in the culture for the last 36 years.
Highly respected and referred to as the “Iron Fist of New York” by other industry titans, their promotional team also includes Tru Money Musiq, Irie Jam Radio, Reggae Vibes Media, PowerOfReggae.com, Britelite Promotions, Tek9 Promotions, and Impulse Nation.
WFC invites all mainstream DJs, and their fans, to get involved. Co-founder Shinez said, “Everyone loves music and exciting competition. Soundclash is the best of both worlds and [the] World Fight Club is the ultimate experience.”
Download and tune into the Irie Jam 360 app on Tuesday, October 15th at 9 pm ET for the live pre-clash press conference. Meet Supersonic at the Pre-WFC party on Wednesday, October 16th at Club Timehri’s, in Washington DC. Come out to the main event on Friday, October 18 at Lodricka Hall in Queens, NY. Join the movement and buy tickets at WorldFightClub.Eventbrite.com
The “No Music No Vote” campaign is one of the Jamaican entertainment industry’s responses to the Noise Abatement Act. The law, originally passed in 1997, recently became stricter. Now all events have to lock off by midnight on weeknights and 2 a.m. on the weekend.
Click to access this podcast episode.
The far-reaching implications of the Noise Abatement Act.
Responses from key entertainment industry players.
Live audio recorded at #BeReggae6 featuring Highlanda Sound on stage.
This event was crazy fun! It was 90-100 degrees in ATL, but I’m not complaining – I love the summer vibes. I played familiar songs to set the pace, and then featured new music (nuff Lila Ike, new Buju, Koffee, Tarrus Riley etc.) for the last half of my round.
The California reggae scene has been thriving for some time now and vocalist/producer, E.N. Young, formerly of Tribal Seeds, has played a significant role in this success. This classically trained pianist who now plays several instruments including the Melodica fell in love with Jamaican music as a youth in San Diego. He talks candidly about his journey as I sought to learn more about the movement he is pushing in the name of reggae. By the end of our conversation, I definitely saw E.N as an authentic reggae ambassador.
Topics covered In this episode:
1:35 – 2019 Summer Daze Endless Nights Tour
2:21 – 4th studio album, Forest Wilderness released in 2018
3:57 – Working with Kelissa from Jamaica
5:45 – Collabs on the latest album (Half Pint, Peetah Morgan, Inna Vision, Meta and the Cornerstones)
6:56 – Love for playing the Melodica and linking with Addis Pablo
9:33 – Production and instrumentation from Imperial Sound Studios in San Diego
15:25 – Gaining inspiration as a teen (especially spiritual influence) from 70’s reggae
20:10 – Resistance from family members and society in general for embracing reggae culture