[Soundclash News] The No Jing Bang clash tournament Grand Final was Saturday, October 10th. Sponsored by the world’s #1 DJ software platform Serato, the final featured Tek 9 from Brooklyn versus Kanabis from Antigua.
[Podcast Interview] Sean Paul responds to criticisms for labeling dancehall clash culture as “slavery mentality.” – Watch Now via The Fix
[Sound Clash Audio] Eagle Force vs Love People vs Super Gold vs Inferno 10/20 (45 Shop Lock) JA ( Finals) – Listen
We discuss the reggae industry’s focus on vanity metrics such as social media likes and YouTube views versus actionable metrics such as engagement and sales.
Reggae/dancehall fans find ways to get new music for free (YouTube, mixtapes, sound system audio, email blasts, SoundCloud, etc). The reggae media primarily reports on vanity metrics. Fans form opinions based on the opinions of others if they have to. They also find reasons to justify why they did not buy the new album(s).
Conversely, fans of other genres are known for taking action by collecting (buying) albums, whether digital or hard copy. They collect the new albums of the artists they like and then form their own opinions about the music. We break down the reasons for this disparity.
Kahlil Wonda reviews Tarrus Riley’s new album, “Healing.”
Reactions to the passing of celebrated Reggae icon and trailblazer, Toots Hibbert.
We discussed how Steve has been pushing the culture in nightlife and through his work in the recording industry. He shares how he got started in the business, and his thoughts on Jamaica getting more hardcore about honoring reggae icons. We touched on strategies for harnessing the economic potential of reggae, the Sean Paul success formula, and much more.
Steve “Urchin” Wilson Bio
After getting his start at Bob Marley’s legendary Tuff Gong record label as a marketing exec, Steve spent 10 years cross-training in every imaginable area in the entertainment industry including a stint as studio manager for the GeeJam Studios where he oversaw studio sessions for The Roots, Common, The Gorillaz, No Doubt & The Jungle Brothers amongst others. In 2001 this Jamaican trailblazer signed on to help pilot the dizzying career of multi-platinum Grammy winner Sean Paul.
He spent the last 15 years traveling to over 100 countries and presiding over logistics, booking, touring, promotion & recording for the Dancehall superstar.
While honing his role as a reggae ambassador Wilson simultaneously plotted to bring EDM & house music to his Homebase of Kingston via his Brand New Machine party series that saw super DJs like Diplo, Bob Sinclar, CongoRock & Toddla T spin in Jamaica for the first time. He has gone on to export the BNM party concept to Montego Bay, Cayman, London & New York City.
Steve is also partners in FSOR Music (Future Sound Of Reggae) a boutique label that has featured releases from Mink Jo, Transdub Massiv, Naomi Cowan, Jesse Royal & Craigy T amongst others.
Most recently he was one of the local partners of the initial staging of the critically acclaimed Tmrwtday Culture Festival in Negril, Jamaica.
Popular reggae artists have pushed the sonic envelope recently. The reception by reggae lovers has varied.
There are different perspectives on why this is, and if its the right direction for the music. We analyze perspectives and presumed motives in the context of the current revolution and in general terms.
Listen to this episode to hear:
Reactions to Chronixx saying there is no match for Sizzla in a clash.