A specially crafted mix of 45’s and dubs on the Cuss Cuss riddim.
In episode 219, Kahlil Wonda listed Cuss Cuss as one of his all-time top 5 riddims. Inspiration along with listener requests have manifested in this mix for the true fans. Starting with the original Lloyd Robinson cut produced by Harry J and regarded as an original Studio One version. This mix spans all the decades since.
Unity Sound Worldwide owner and selector CrossFire links up to share his excitement for new reggae and dancehall releases. PODCAST EPISODE SUMMARY During this conversation we touched on: The debut of the Family Buss Riddim produced by Unity Sound Worldwide. Unity online mixes and mix CDs (old and new). Who are the current Unity Sound Worldwide members? […] http://dlvr.it/RncMpt
Listen for analysis of what’s been going on with sound clash culture in 2020 and predictions of where we see things going in the future based on key indicators like dubplate cutting, the lack of youth in the arena, and more.
This is for others who share a passion for sound clash and listeners who have the slightest curiosity. Read on for a collection of sound clash culture-related resources and links in one place.
Among the themes discussed on this sound clash culture in 2020 episode:
Which sounds are in the top, heavyweight tier globally?
Why are European and Japanese sounds not joining the online dub showcases and clashes?
How was the golden era of sound clash and reggae music financed?
Is sound clash culture bordering on extinction?
The expensive hobby of cutting dub plates and its economic implications.
For the full show notes including Buzzworthy, The Tastemaker segment, plus Sound Clash Resources and links, visit ReggaeLover.com
This episode takes a look at the world of reggae backing bands and the legends they support.
Our guest is Stevie Culture, a musician from the west coast of Jamaica who’s has been playing and performing Reggae music for more than 2 decades.
The backing band culture seldom gets highlighted or explored though it’s a major part of Jamaican music culture. This is a tribute to the musicians in the background, working to support the major Reggae artists.
Reggae Backing Band Culture
Every big show is facilitated by these amazing people behind the scenes. They never get the recognition they deserve – until now that is.
Stevie Culture has been a member of major reggae backing bands, Sane Band, the Fifth Extension, Prophecy Band, and Ninja Force Band. He has been on stage with some of the greatest artists of all time including Dennis Brown, Freddie McGregor, Yellow Man, Garnet Silk, and Capleton. He has traveled around the world touring and playing reggae music. We are grateful that he could share these stories on your platform.
We caught up with Diego Herrera, the Reggae/Caribbean Music Curator and Programmer for Pandora Media. He curates the popular New Reggae Now playlist.
Diego is entrenched within the culture and has been for a long time. As you may know, we’ve been working with Pandora to help push reggae music. Our podcast is featured on Pandora and we curate playlists on Pandora as well.
We had a very interesting, informative conversation. You will love it. We loved it! Diego works in the ecosystem touching the artists, labels, and the distribution channel. We pull back the curtain and shed some light on what happens on the back end at digital streaming services.
We all use these platforms to listen to content, but how do they really work? What are the inner workings? We learn about that plus get Diego’s refreshing perspective on new reggae now and the state of the culture. He comes from a very knowledgeable point of view. Of course, after the main segment, we present the Buzzworthy, Tastemaker, and SoundClash update segments.
Buju Banton denounces mask-wearing.
David Rodigan and Cedella Marley receive Jamaican Order of Distinction honors.
Barrington Levy in the studio with DJ Kahled.
Official music video for Koffee’s “Pressure” Remix featuring Buju Banton.
Downbeat pays epic tribute to fallen reggae icon Bunny “Striker” Lee on LP International’s Real Talk IG Live Show.
[Soundclash News] The No Jing Bang clash tournament Grand Final was Saturday, October 10th. Sponsored by the world’s #1 DJ software platform Serato, the final featured Tek 9 from Brooklyn versus Kanabis from Antigua.
[Podcast Interview] Sean Paul responds to criticisms for labeling dancehall clash culture as “slavery mentality.” – Watch Now via The Fix
[Sound Clash Audio] Eagle Force vs Love People vs Super Gold vs Inferno 10/20 (45 Shop Lock) JA ( Finals) – Listen
We discuss the reggae industry’s focus on vanity metrics such as social media likes and YouTube views versus actionable metrics such as engagement and sales.
Reggae/dancehall fans find ways to get new music for free (YouTube, mixtapes, sound system audio, email blasts, SoundCloud, etc). The reggae media primarily reports on vanity metrics. Fans form opinions based on the opinions of others if they have to. They also find reasons to justify why they did not buy the new album(s).
Conversely, fans of other genres are known for taking action by collecting (buying) albums, whether digital or hard copy. They collect the new albums of the artists they like and then form their own opinions about the music. We break down the reasons for this disparity.
Kahlil Wonda reviews Tarrus Riley’s new album, “Healing.”
Reactions to the passing of celebrated Reggae icon and trailblazer, Toots Hibbert.
We talk to Maxi Priest and Jonathan Emile who collaborated on Emile’s recently released “Babylon is Falling” Remix.
Reggae music has always been at the forefront of social and political issues. One example is Bob Marley’s participation in the Amandla Festival of 1979 in Boston. There, Marley performed in support of the anti-apartheid movement and the liberation of South Africa.
A few short months ago, the entire world was shaken when George Floyd lost his life. People protested, buildings and businesses burned – all while in the middle of a worldwide pandemic. Race relations were already strained, but this event managed to trigger both a national and international outcry for change and justice.
“Babylon is Falling” is a song that has put a voice to the change. The song features 2 artists (Jonathan Emile and Maxi Priest) from different generations coming together to speak on what they’ve been through, and what’s to come.
We held reasoning on the following with Maxi Priest and Jonathan Emile:
How did the Remix to “Babylon is Falling” featuring Maxi Priest come about?
Different flavors of racism in the UK, Canada, and the Southern U.S.
The concept behind “Spaces In Between,” Jonathan’s debut reggae album.
Maxi Priest’s excitement for his forthcoming album, “United State of Mind.”
Why are some Caribbean people afraid to go back to the region?
Billboard’s disrespect towards dancehall culture with their Verzuz cover.
What is the responsibility of musicians in fighting oppression?
The problem with trying to control musicians’ creative output.
‘Babylon is Falling’ Remix – Jonathan Emile ft Maxi Priest
Two Artists from Different Generations Come Together to Sing About the State of the World Today:
Canadian-Jamaican artist Jonathan Emile and British-Jamaican artist Maxi Priest came together to create the Remix to “Babylon is Falling”, a track on Emile’s new album, “Spaces In Between.” The album is currently distributed by MindPeaceLove/Tuff Gong International. While the remix to the song was recorded back in January 2020, neither artist knew at the time that the song would become so relevant a few months later.
Emile is a bilingual (English & French), multi-talented singer-songwriter, producer, and Cancer survivor. His commanding voice resonates at the start of the song and draws the listener in immediately, asking if they know what their worth is, and then mentions the capitalistic society in which we live. He then explains that this can’t go on and eventually, something has to change (Babylon will fall).
“Growing up Black and Jamaican in Montreal, racism has been a fact of life. The institutional side was hidden but the interpersonal is still always present. As a Black person, you know you need to move cautiously to gain access, be accommodated, or have the opportunity to be treated with respect. This caution manifests in how you speak, how you read a room, and how you respond to racist banter or microaggressions.
Knowing that you’re seen as the other, alien, or ‘less than’ is at the forefront as you face people’s prejudice, always having to be an ambassador for your race. You become a master negotiator, code switcher, and an expert in de-escalation to preserve your body and reputation. This is a key concept in Spaces-In-Between. I am fortunate to have parents who provided me with tactics and strategies to avoid and cope with racism as a young Black Jamaican. The knowledge I received was built on their hard work and determination.”
Grammy-nominated Maxi Priest, best known for his Lover’s Rock and R&B/Reggae fusion tunes like “Close to You’ and “Wild World” comes in next, but he’s not singing about love this time. In fact, he’s Deejaying (rapping), which in itself is a rare sound for him. He rides the riddim with the smoothness that he’s best known for, but the content of the lyrics speak of the things he’s both experienced himself throughout the years growing up in England, and what he continues to see around him today. His message, like so many, is that he’s tired.
“Here we go again – We stand firm we nah ease up the pressure – Just like a volcano bubbling over – to take it to the heights you have fi step like a soldier”
Although both Emile and Priest come from different generations, they have many things in common, including being of Jamaican heritage, and growing up and living outside of Jamaica, which has impacted them.
Like so many people that live abroad, there are mixed feelings right now with what is happening with the racial, economic, and spiritual climate, and the uneasiness that it brings. “Babylon is Falling” is a song that resonates with everyone, no matter where you come from, or what age you are.
We list our Top 5 Revolutionary Reggae Songs of all time. Ras Jamal from Royal Ethiopian Sound joins the discussion to give his analysis.
We define what a revolutionary song is and how the music of the 70s differs from the messages in today’s music. There are different kinds of revolutions. The conversation takes us through some responses that have emerged as a result of today’s struggle for racial justice.
Anthony B, Sizzla, Jah9, Yeza, Kabaka Pyramid, Protoje, Akae Beka, Lutan Fyah, Warrior King, and Queen Ifrica are commended for their contributions to the movement. We each listed some honorable mentions in addition to our top 5 revolutionary reggae songs. Listen to the Pandora playlist inspired by this episode.
Kahlil Wonda’s Top 5 Revolutionary Reggae Songs
Bob Marley – Burning and Looting
Bob Marley – Revolution
Peter Tosh – Equal Rights
Sizzla – Made Of
Bob Marley – Slave Driver
AGARD’s Top 5 Revolutionary Reggae Songs
Bob Andy – Unchained
The Abyssinians – Declaration of Rights
Peter Tosh – Equal Rights
Dennis Brown – Revolution
Bob Marley – War
Ras Jamal’s Top 5 Revolutionary Reggae Songs
John Holt – Police In Helicopter
Bob Marley – War
Peter Tosh – Equal Rights
Dennis Brown – Revolution
Beres Hammond – Another Day In The System
We also debated:
Where is the revolutionary music of this generation?
What is the difference between conscious music and positive music?
Is reggae supposed to teach or help people?
Outside of revolutionary music, what tactics can lead to the results we seek?
Does an artist have to be a rasta to be conscious?
Protoje’s “In Search of Lost Time” album. Notable track, “In Bloom” ft. Lila Ike.
We discussed how Steve has been pushing the culture in nightlife and through his work in the recording industry. He shares how he got started in the business, and his thoughts on Jamaica getting more hardcore about honoring reggae icons. We touched on strategies for harnessing the economic potential of reggae, the Sean Paul success formula, and much more.
Steve “Urchin” Wilson Bio
After getting his start at Bob Marley’s legendary Tuff Gong record label as a marketing exec, Steve spent 10 years cross-training in every imaginable area in the entertainment industry including a stint as studio manager for the GeeJam Studios where he oversaw studio sessions for The Roots, Common, The Gorillaz, No Doubt & The Jungle Brothers amongst others. In 2001 this Jamaican trailblazer signed on to help pilot the dizzying career of multi-platinum Grammy winner Sean Paul.
He spent the last 15 years traveling to over 100 countries and presiding over logistics, booking, touring, promotion & recording for the Dancehall superstar.
While honing his role as a reggae ambassador Wilson simultaneously plotted to bring EDM & house music to his Homebase of Kingston via his Brand New Machine party series that saw super DJs like Diplo, Bob Sinclar, CongoRock & Toddla T spin in Jamaica for the first time. He has gone on to export the BNM party concept to Montego Bay, Cayman, London & New York City.
Steve is also partners in FSOR Music (Future Sound Of Reggae) a boutique label that has featured releases from Mink Jo, Transdub Massiv, Naomi Cowan, Jesse Royal & Craigy T amongst others.
Most recently he was one of the local partners of the initial staging of the critically acclaimed Tmrwtday Culture Festival in Negril, Jamaica.
The Vault: Classic Music Reviews podcast host, Brian Cox gave us an education on the island of Grenada.
Brian shared his unique perspective as a first-generation American of Caribbean descent. He described the soundtrack of Grenada, and how music has changed there over time. We learned about the music and food you would encounter at a typical Grenadian party.
The Vault: Classic Music Reviews is a top-rated music commentary podcast. The co-hosts, hip-hop fans that grew up in the 90s, review classic hip-hop, R&B, and reggae albums 20 + years after their release. They break these albums down to see if they stood the test of time. Listeners get a perspective on classics from a fresh point of view. The Vault: Classic Music Reviews also includes guest interviews, round table discussions, and artist catalog debates.
Special guest, MC, is the founder of Nitelifebuzz.com, a top-rated nightlife website.
The NiteLifeBuzz media-house provides events photography and promotion services around the world. They publish some of the best quality photos of nightlife, and Caribbean parties. Our conversation fits this season’s emerging industry insider theme.
As the proprietor and owner of NiteLifeBuzz.com, MC does many things within the industry. He knows a lot of people and has tremendous insight, especially when it comes to New York City. We talked about partying in Jamaica, reggae music, and much more.
We had a great conversation covering a bit of history in New York and in Jamaica. This had us reminiscing about former online hangouts, DancehallReggae.com and Highlanda.com. We also drifted back to party life and island excursions when “outside” was open.
Buju Banton as the musical guest on The Tonight Show starring Jimmy Fallon. Performs his song “The World Is Changing.”
Popcaan debuts album, “The Fixtape.” First week sales.
Rising reggae star Lila IkéNPR Tiny Desk (home) concert.
This season, we have a few bonus episodes coming your way. Check whatever platform that you listen to us on. We’ll definitely have great new content for you. Until next time, stay safe. Make sure you find some good reggae music to keep your nerves calm and your mind focused on where it needs to be.
We sat down for an interview with Tessellated, the Billboard chart-topping, Emmy-nominated Jamaican artist who blew up in 2017 with the hit single, Pine and Ginger.
During our Interview with Tessellated we uncovered:
What were his early musical influences?
From where does he draw his inspiration?
Who is he listening to right now?
What’s next on the horizon musically?
How did he get to #1 on the Billboard Jazz charts?
How did he earn the 2020 Emmy nomination?
How would he describe his lyrical and production styles?
The fusion of Afrobeat and Dancehall on new single, No Ansa feat. Crayon from Nigeria.
With Jamaican influence on international music inescapable in the current era, a new wave of exciting artists is emerging from the Caribbean island. One artist leading the charge for this global assault on the music industry is Tessellated, a multi-talented 23-year-old artist/producer from Kingston who burst onto the scene in 2017 with his bona fide Caribbean hit collaboration – Pine & Ginger.
Citing influences from many genres, a unique blend of styles and sounds shapes the backdrop for Tessellated’s musical endeavor. Through this, he aims to push forward a fusion of Jamaica’s roots presented alongside other world genres. With this original style, Tessellated has now carved out a lane of his own already garnering support from music industry heavyweights such as Camila Cabello, Lily Allen, Diplo, Major Lazer, Jorja Smith, and more.
Continuing the trend of breaking boundaries, last year Tessellated picked up a huge sync deal for his track ‘I Learnt Some Jazz Today’, a fusion of jazz, dancehall & hip hop, with Apple for their film ‘Bounce’ created for the release of their new AirPods. After its release, the song saw massive support worldwide, racking up several million plays in a matter of months and going #1 on the Jazz Billboard Chart, a first for a Jamaican artiste.
Since then, Tessellated has signed with Sony/ATV Publishing and is currently gearing up to release his first solo project.
The Fix JA podcast has been a dominant force in media for quite some time now. The three co-hosts, Naro, Ari, and Javi, have dynamic chemistry and synergy.
The Fix JA features the best of the best of the Jamaican dancehall and reggae scene. They cover what’s hot and bubbling in Kingston from an objective point-of-view. The co-hosts interact with guests in a unique, honest, and real way.
We had the privilege of speaking with Naro, one of the dynamic hosts of The Fix JA, formerly Nightly Fix. From his base on the island of Jamaica, Naro keyed us into many aspects of the culture. If you have yet to check out The Fix, please do so as soon as you finish this episode.
Listen to Reggae Lover Podcast episode 205 – The Fix JA to learn:
Do Jamaican youth respect dancehall icons and history?
Are young people in Jamaica building sound systems any more?
What is the importance of quality media platforms and voices covering our music?
Why and how did The Fix JA podcast get started?
How did Naro, Javi, and Ari became the co-hosts and develop their chemistry?
How does Naro handle the controversy that surrounds him?
How does The Fix JA crew get the toughest dancehall personalities to be vulnerable?
Why is it important to give upcoming artists an outlet?
How does one stay up on the latest dancehall music?
What is the state of the Jamaican entertainment industry in this COVID19 era?
Why do people around the world have more reverence for reggae than people in Jamaica
It was a dope conversation. We look forward to linking up more in the future. As mentioned in the intro to this episode, we had to scrap the other segments for this week. Look out for more essential content curation in addition to some bonus episodes.
Please visit ReggaeLover.com to catch up on past shows. Make sure to subscribe on your favorite podcast platform.
A look behind the scenes with Neil Robertson, a music industry exec. from the golden era of reggae and hip-hop.
Neil Robertson worked behind the scenes as an A&R for Island Records. He was also a label manager and marketer for Island Jamaica. Neil was in the boardrooms and studios working with Beenie Man and Luciano. Later, as an artist manager, he toured with some of the best in the business, made deals, negotiated, and influenced.
Born and raised in NYC, Neil currently curates the music program at Alley Cat Amateur Theatre at The Beekman Hotel. He also handles DJ programming at The Seaport District/Pier 17 for Howard Hughes Corp and Pier A Harbor House for HPH Hospitality.
Behind the Scenes Highlights
A&R for Island Records, Gee Street, and Richard Branson’s re-entry into the music business, V2.
Worked on RZA’s “Bobby Digital In Stereo GOLD,” “Wu-Tang Forever,” and Gravediggaz “The Pick, The Sickle & The Shovel.”
Worked on DJ Premier’s “Afu-Ra Body Of The Life Force.”
Helped usher in a new era of Reggae and re-establish Island as the premiere Reggae label in the world.