We are back with a new season after taking an eventful summer break. Our first episode, Caribbean Black Lives Matter, features Nick, the host of the Jamaican State of Mind podcast.
At the time of recording this, we were grappling with strong emotions. This, as a result of the series of events ensuing from the George Floyd lynching. Caribbean black lives matter.
We added a spin on the conversation as Caribbeans. Hear views on how American racism is viewed in the Caribbean and particularly Jamaica. It’s an interesting conversation.
We covered race, policing, protests, other solutions, and more. Most importantly, you’ll hear different perspectives on how reggae music is and should be interacting with the politics of today.
This is a time where we need Reggae music reform. Reggae needs another renaissance. We need to return to the culture once again. The music needs to reflect what’s actually going on in reality. There is too much music about flossing. We are living through curfews. The time is dread right now. People need more. And when you talk about revolution, that’s what reggae music is supposed to be doing. Reggae should be there to help fill that void and burn that fire.
At recent protests on the streets of American cities, Bob Marley and Peter Tosh’s music could be heard. Will any of our modern artists create music that will be a part of the soundtrack for the revolution? This is one of the underlying themes for this season of the podcast. #reggaereform
Because of the length of this conversation, we didn’t get into some of the other segments that we usually do, but they will be back throughout the season.
The Tastemaker segment will be back. Soundclash updates will return if and when we have SoundClash content or sound system subject matter. Today, we just wanted to take the time to highlight this important conversation, Caribbean Black Lives Matter.
WALSHY FIRE STATED THAT “JAMAICAN ARTISTS ARE ON THE VERGE OF CREATING A NEW GENRE” IN A RECENT INTERVIEW. THIS CLAIM WARRANTED FURTHER EXPLORATION SO WE WENT IN ON THE NEW MUSIC OF JAMAICA.
Before analyzing today’s music we reviewed the many genres that Jamaica has created. That amazing history includes Mento, Ska, Rock Steady, Reggae, Dub, and Dancehall. Reggae sub-genres Nyahbingi, lover’s rock, and rub-a-dub are also popular styles.
There was a peak in dancehall popularity in the early 2000s followed by a decline in quality reggae. At that time vinyl formats transitioned to the CD. Then CDs went out and digital downloads came in. As a result, DJs started using laptops to play music and consumers turned to personal electronics. This transitional period subsequently led to what we call the reggae revival.
The current global dancehall and reggae revival movements are creating genre-bending trends. Artists like Protoje, Chronixx, Kabaka Pyramid, Jesse Royal, Damian Marley, Lila Ike, and Koffee are synonymous with such trends.
Based on our analysis there either is a new emerging genre, or the concept of genres is simply dead. Distinctions between genres have become blurred and young audiences around the world are embracing that change.