If you are in the reggae music recording industry or thinking about getting into the business, then you need to hear this.
Listen to this if you love reggae music and consume it via streaming services, digital downloads, vinyl records, CD, mixtapes, concerts, and/or dances.
In this episode of “Reggae Lover,” we discuss the current landscape faced by reggae artists from Jamaica and other Caribbean countries. This includes looking at how music distribution has changed in recent years and the impact of copyright laws.
We offer tips to help up-and-coming artists steer away from the evils of the business and suggest avenues of potential revenue that are commonly overlooked. This includes discussion of global trends as it relates to reggae and dancehall.
We tackle questions like Who is making all the money? Should artists go independent or pursue recording contracts with major labels? How can reggae/dancehall artists compete in the global marketplace? Are the GRAMMY awards even relevant?
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This “Reggae Lover” episode gives a high-level overview of Jamaican sound system culture.
We clarify some things that we’ve mentioned in the last three episodes and define a number of sound system related terms. AGARD and I each share stories about how we got introduced to sound system culture and offer pointers for up-and-coming selectors.
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