Best Real Rock Mix | Reggae Lover Podcast – Episode 68

The best real rock riddim mix you ever heard?

HIGHLANDA SOUND #Reggae 68 - Reggae Lover Podcast - Real Rock Mix In playlist: THE REGGAE LOVER PODCAST

Take a listen. The Crown Prince of Reggae, Dennis Emmanuel Brown kicks off the mix and closes it out with the same song in a different style. The Real Rock Riddim is the most versioned reggae Riddim and the most sampled reggae instrumental in history.

The original was played in 1967 by one of Coxsone Dodd’s session bands at Studio One, the Sound Dimension band. Ever since then it’s been a foundation instrumental for dancehall and reggae. The real rock is just a part of Reggae music that is never going to stop. You are going to hear that beat in movies, on your radio, on your mix tapes, and in your parties. I kept the mix short and spicy so it doesn’t get boring.

If you love reggae music and have been listening from back in the days, then this should be nostalgic for you. This is a dedication to you, REGGAE LOVER,

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Shank I Sheck Riddim Mix | Reggae Lover by Highlanda Sound – Ep. 67

HIGHLANDA SOUND #Reggae 67 - Reggae Lover Podcast - Shank I Sheck Riddim Mix In playlist: THE REGGAE LOVER POD

The Shank I Sheck originally was a 1964/1965 Ska instrumental by Baba Brooks with production by King Edward on the Rio Records label. Rio is a subsidiary of Direct Records Ltd. and later Doctor Bird which like the other top Jamaican labels of the 1960’s had most of their releases distributed by Trojan Records. There have been hundreds of songs released on various versions of this instrumental over the decades with many top rated hits peaking in the 1980s and 1990s. The riddim track was a favorite for deejays and singers to perform over and a huge dub plate riddim for sound system selectors to record dub plates on as well.

SOUNDCLOUD: CLICK TO DOWNLOAD, OR PRESS PLAY BELOW TO LISTEN NOW.

APPLE PODCAST: SUBSCRIBE OR LISTEN VIA  ITUNES.

GOOGLE PLAY MUSIC: SUBSCRIBE OR LISTEN HERE.

STITCHER RADIO: SUBSCRIBE OR LISTEN HERE.

Live Audio | Highlanda Sound blog art

Live Audio: Rub-A-Dub ATL ft. Highlanda Sound | Sunday 4.9.17

Here is a curated segment of live audio played by Highlanda Sound with Kahlil Wonda selecting and mixing recorded on April 9, 2017, at Wildpitch Music Hall in Atlanta.

Live Audio from Highlanda Sound | Rub-A-Dub blog artwork

Audio links are below:

 

JAH BOUKS presents “THE ILEYY PROMO CD” #DOWNLOAD

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We present to you the Jah Bouks promo compilation CD, comprised of 5 songs from the rising reggae chanter including the hit single “Angola” and his next single “Cry Fi Di Youths.”

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Jah Bouks has set the summer of 2013 on fire with his hit “Angola” and is poised to continue his rise to the top.  Please download and share this great reggae music, appropriate for all audiences.

Big Bands of Reggae

Highlanda.net:

“Nothing compares to being in a venue where a reggae band is performing live.  The rumble of the bass lines surround you in a warm embrace and you can’t help but to rock and skank as you are transported to another realm and higher level of consciousness.  This describes the effects of the power that live reggae musicians have over the masses.”


Third World

Third World is a Grammy nominated Jamaican reggae band formed in 1973. Their sound is influenced by soul, funk and disco. Third World’s greatest success came in the late 1970s and early 1980s, peaking with their cover version of The O’Jays’ “Now That We Found Love”, a hit single on both sides of the Atlantic in 1979. Here is a Third World performing “Now That We Found Love:”
This song brought them to the attention of Stevie Wonder, who worked with them and wrote (along with Melody A. McCully) their song “Try Jah Love.” This band still records and tours to this day so definitely check them out if they come to a venue near you. Visit Third World online at http://www.thirdworldband.com/

Inner Circle

This Jamaican reggae group was formed in 1968 by the brothers Ian and Roger Lewis in Jamaica. The band released its debut album in 1974 on the famed record label, Trojan Records, and resigned in 1979 to Island Records, where the internationally successful album Everything Is Great originated. They are responsible for the 1989 song “Bad Boys,” which serves as the theme song for Fox Network’s long-running television program COPS. Here is Inner Circle with “Bad Boys:”
Jacob Miller, the frontman and lead singer, was killed in a car crash on March 23, 1980. The band appeared in the reggae cult film Rockers in 1978. Their second American hit, reaching #16 on the Billboard Hot 100 in 1993 was “Sweat (A La La La La Long)”, which was a #3 hit in the UK. Here is Inner Circle with “Sweat:”

Steel Pulse
Steven Huey reports, “Generally a protest-minded Rastafarian outfit, Steel Pulse started out playing authentic roots reggae with touches of jazz and Latin music, and earned a substantial audience among white U.K. punks as well. Their 1978 debut, Handsworth Revolution, is still regarded by many critics as a landmark and a high point of British reggae. As the ’80s wore on, slick synthesizers and elements of dance and urban R&B gradually crept into their sound, even as their subject matter stayed on the militant side. By the late ’80s, Steel Pulse had won a Grammy and were working full-fledged crossover territory, but never reached the same degree of commercial acceptance as Aswad or Inner Circle. They subsequently returned to a tough-minded, rootsy sound that nonetheless made concessions to contemporary trends with touches of dancehall and hip-hop.” Here is Steel Pulse performing “Rally Round:”
In 1993 they performed at Bill Clinton’s inaugural celebration, the first reggae band to appear at such an event. Visit Steel Pulse’s website for more.

Aswad
From Vh1: “Aswad was arguably Britain’s most successful reggae band, in terms of both popularity and longevity. Critical opinion on their body of work is often divided; some hail their early material as the greatest roots reggae Britain ever produced, while others find their later pop-crossover phase more distinctive and unique, even at the expense of authenticity. Regardless, Aswad’s ability to adapt themselves to the changing times — new musical trends, shifting personnel — was ultimately the driving force behind their decades-long career.”
Aswad was often hired as backing musicians for touring Jamaican stars: Bob Marley, Burning Spear, Dennis Brown, and Black Uhuru.