This mix features reggae’s vocal harmony groups from the 60s, 70s, and 80s.
I took it back to the roots on this one. I focused on songs with an impressive vocal arrangement. This is a specific selection of songs with male singers harmonizing together.
I featured The Wailers, mostly from the “Catch A Fire” album. That album has that very dry, grassroots sound. This was before instrumentation such as horn sections and electric guitars were added. Before the female energy of the I-Threes was added.
The mix also featured some of The Heptones‘ Studio One era hits. I dropped in some original Israel Vibration before they split. Other groups featured are The Techniques, The Abyssinians, The Gladiators, The Sensations, The Mighty Diamonds, and The Silvertones. You also hear songs from Lloyd Parks and We the People, The Sharks, The Royals, The Cables, and The Flames.
Listen to those names and you know these brothers were from a different time. These vocal groups created some of the most beautiful music and the most powerful songs. You feel their passion because of the emphasis conveyed within the harmonies. There was something special about those days.
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Its the sweet soulful sound of great reggae music! If you enjoy this, check out episode 74. It’s entitled “The Greatest Reggae Bands of All Time (not including the Wailers).” That show features Aswad, Steel Pulse, Third World, Israel Vibration, Black Uhuru, and Inner Circle. Similar material is on The Studio One tribute episodes: 55 and 56.
It’s a new season of the podcast! I am back in full effect with new shows coming out every week until the end of the year. Thank you so much for listening. If it’s your first time, this is a livication to you, the reggae lover.
Whether you know the songs you hear on this show or not, my goal is that you feel uplifted after listening. I want you to feel joyous and happy. The music should help you to transmute any negative energy into positive. You should enter a different frame of mind via the therapeutic mixes and level up.
For booking information or to sponsor this podcast, email reggaeloverpodcast@gmail.com. Thank you to everybody listening from around the world. I love that you get to tune in and listen to me doing what I love most. We are sharing a vibe and keeping this music alive. Check my Soundcloud or anywhere you listen to podcasts weekly for new shows to be available. Until next time, have a great week. One love!!
This unique mix was requested by a listener in the United Kingdom.
It’s probably the first time any selector has compiled these particular artists on one project, but that is what the Reggae Lover Podcast is all about. Glen Washington, George Nooks, Norris Man, & Jah Mason all began gaining popularity in the mid-to-late 90s, though Glen Washington and George Nooks started their musical careers in the 1970s.
Glen Washington, born in May Pen, Clarendon, Jamaica was a drummer and who toured the world with many different bands and backed many different artists and performers from the 70s through the 80s into the 90s. He migrated to the United States and recorded sporadically as a solo singer but extensively as a drummer. In 1997 when he started to focus on pursuing his solo singing career he did some recording sessions for Studio One and then he sort of blew up with a big hit in 1998 with the song “Kindness for Weakness.” which was marketed by VP records. From there he solidified his career and started to tour the world again as a solo singer.
Like Glen Washington, George Nooks was born in the 1950s in Jamaica. He sang in the youth choir at church, performed at school concerts and talent shows. He professionally recording under the name Prince Mohammed in the 1970s as a deejay. He recorded with Joe Gibbs over the Dennis Brown “How could I leave” instrumental, released an album with General Echo, and had a hit in Jamaica with “40 Leg Dread.” Nooks concentrated on singing starting in the 80s but it was not until 1997 that he released a successful singing album. After 2001 he began singing mostly gospel music.
Norris Man now grew up in the Trench Town area of Jamaica where Bob Marley and the Wailers hail from. He started performing on local sound systems at age 10 deejaying over Studio One riddims. He was small they would put him to stand on top of a Guinness crate and let him get a few songs in. He was actually quite good at it. He started recording at age 22. His first full-length album entitled “Persistence” was released in 1997 on VP records. He linked up with Anthony B and the Star Trail records camp around this time and eventually started touring extensively, taking on stages in California, then Africa, and Europe.
Jah Mason also known as Fire Mason was born in the early 70s in the parish of Manchester and grew up in a Christian family. He began working with Junior Reid’s JR record label in 1995. He joined the Bobo Shanti order of the Rastafari movement. After linking up with the David House Records group got his career took off with the single “my princess gone” among others. He made guest appearances on Singles with his friend Jah Cure and from the mid-nineties through the 2000s Jah Mason released at least one album every year.
If you’re a fan of any of the music that you hear on this episode please go check these artists. They have product in stores that you can purchase and material to stream online. Big Ups 2 the Kingman out of Leicester UK who wanted these artists to be featured here. Thank you so much for joining me on Reggae Lover Podcast episode 83. I hope you enjoy the mix. Its dedicated to you. Bless Up.
Imagine going to a dance and hearing a massive sound system playing. The records you hear are brand new exclusives being debuted. The ground shakes with the bass line.
Then the presentation climaxes. The top recording artists in the land vocally accentuate your vibes with live freestyles over amazing instrumental music tracks.
This was the experience at a dancehall session in the 1980s with world-famous King Jammy‘s Sound System out of the Waterford section of Kingston, Jamaica.
The King Jammys Tribute (1st Volume) episode is definitely the most popular podcast episode of this series on iTunes and SoundCloud. A big thank you to everybody who’s been listening.
We salute our dancehall trailblazer, king of digital reggae, sound system owner/producer Lloyd James aka KING JAMMY. This is the first half of a megamix featuring some big tunes and riddims from the Jammys catalog.
For more King Jammys vibes check out episode 4 (Sanchez, L.U.S.T and Friends – 80s Lovers Rock), episode 5 (Superstars Hit Parade 1987-1989 Tunes/Riddims), episode 10 (Dancehall Time Traveling Back to the 80s and 90s), episode 36 (Stalag meets Sleng Teng), episode 39 (A Late Eighties Reggae Dream 1979-1991).
Also see our tribute episodes featuring Cocoa Tea, Sanchez, Johnny Osbourne, Frankie Paul, and Josey Wales – artists who all recorded hits released on the Jammy’s label. Lots more to come… all dedicated to you, #reggaelover.
Cocoa Tea’s voice is smooth and easy-going, yet very powerful. He was one of the most popular artists in Jamaica during the 1980s and went on to international stardom in the 1990s.
77 – Reggae Lover Podcast – The Very Best of Cocoa Tea (1984 – 1994)
This episode focuses mostly on selections from his early catalog – songs released on the Volcano, Jammy’s and VP record labels from 1984 to 1994. This is sweet sweet Cocoa Tea!
76 – Reggae Lover Podcast – Tribute to Fatis Burrell
Blessed love and respect massive! This is Kahlil Wonda of Highlanda Sound welcoming you to episode 76 of the Reggae Lover Podcast featuring songs produced by the late, great Phillip ‘Fatis’ Burrell, Jamaican reggae music producer and icon – the CEO of the Exterminator (Xterminator) record label. Sit back, relax and enjoy!
The Reggae Lover Podcast returns with a new episode. This one is some curated live audio from a session in ATL recorded 10-14-17. There are many more mixes coming so stay tuned. Thanks to all my subscribers, listeners, and supporters around the world! #reggaelover
Take a listen. The Crown Prince of Reggae, Dennis Emmanuel Brown kicks off the mix and closes it out with the same song in a different style. The Real Rock Riddim is the most versioned reggae Riddim and the most sampled reggae instrumental in history.
The original was played in 1967 by one of Coxsone Dodd’s session bands at Studio One, the Sound Dimension band. Ever since then it’s been a foundation instrumental for dancehall and reggae. The real rock is just a part of Reggae music that is never going to stop. You are going to hear that beat in movies, on your radio, on your mix tapes, and in your parties. I kept the mix short and spicy so it doesn’t get boring.
If you love reggae music and have been listening from back in the days, then this should be nostalgic for you. This is a dedication to you, REGGAE LOVER,
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