Tips on how to be a good reggae dancehall sound system selector.
Beginning with the 1970s Roots Reggae era, the lyrics, the drums, and the bass provided the perfect vessel for communicating and spreading messages.
With the help of Bob Marley and the Wailers, these reggae messages spread across the globe.
Exploration of this global phenomenon leads to certain truths.
We discuss some history, events, and examples and give personal accounts of our experiences with spirituality, reggae, and religion.
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I took it back to the roots on this one. I focused on songs with an impressive vocal arrangement. This is a specific selection of songs with male singers harmonizing together.
I featured The Wailers, mostly from the “Catch A Fire” album. That album has that very dry, grassroots sound. This was before instrumentation such as horn sections and electric guitars were added. Before the female energy of the I-Threes was added.
The mix also featured some of The Heptones‘ Studio One era hits. I dropped in some original Israel Vibration before they split. Other groups featured are The Techniques, The Abyssinians, The Gladiators, The Sensations, The Mighty Diamonds, and The Silvertones. You also hear songs from Lloyd Parks and We the People, The Sharks, The Royals, The Cables, and The Flames.
Listen to those names and you know these brothers were from a different time. These vocal groups created some of the most beautiful music and the most powerful songs. You feel their passion because of the emphasis conveyed within the harmonies. There was something special about those days.
Its the sweet soulful sound of great reggae music! If you enjoy this, check out episode 74. It’s entitled “The Greatest Reggae Bands of All Time (not including the Wailers).” That show features Aswad, Steel Pulse, Third World, Israel Vibration, Black Uhuru, and Inner Circle. Similar material is on The Studio One tribute episodes: 55 and 56.
It’s a new season of the podcast! I am back in full effect with new shows coming out every week until the end of the year. Thank you so much for listening. If it’s your first time, this is a livication to you, the reggae lover.
Whether you know the songs you hear on this show or not, my goal is that you feel uplifted after listening. I want you to feel joyous and happy. The music should help you to transmute any negative energy into positive. You should enter a different frame of mind via the therapeutic mixes and level up.
For booking information or to sponsor this podcast, email email@example.com. Thank you to everybody listening from around the world. I love that you get to tune in and listen to me doing what I love most. We are sharing a vibe and keeping this music alive. Until next time, have a great week. One love!!
For more King Jammys vibes check out episode 4 (Sanchez, L.U.S.T and Friends – 80s Lovers Rock), episode 5 (Superstars Hit Parade 1987-1989 Tunes/Riddims), episode 10 (Dancehall Time Traveling Back to the 80s and 90s), episode 36 (Stalag meets Sleng Teng), episode 39 (A Late Eighties Reggae Dream 1979-1991).
Also see our tribute episodes featuring Cocoa Tea, Sanchez, Johnny Osbourne, Frankie Paul, and Josey Wales – artists who all recorded hits released on the Jammy’s label. Lots more to come… all dedicated to you, #reggaelover.
This episode focuses mostly on selections from his early catalog – songs released on the Volcano, Jammy’s and VP record labels from 1984 to 1994. This is sweet sweet Cocoa Tea!
Blessed love and respect massive! This is Kahlil Wonda of Highlanda Sound welcoming you to episode 76 of the Reggae Lover Podcast featuring songs produced by the late, great Phillip ‘Fatis’ Burrell, Jamaican reggae music producer and icon – the CEO of the Exterminator (Xterminator) record label. Sit back, relax and enjoy!
The Reggae Lover Podcast returns with a new episode. This one is some curated live audio from a session in ATL recorded 10-14-17. There are many more mixes coming so stay tuned. Thanks to all my subscribers, listeners, and supporters around the world!
Take a listen. The Crown Prince of Reggae, Dennis Emmanuel Brown kicks off the mix and closes it out with the same song in a different style. The Real Rock Riddim is the most versioned reggae Riddim and the most sampled reggae instrumental in history.
The original was played in 1967 by one of Coxsone Dodd’s session bands at Studio One, the Sound Dimension band. Ever since then it’s been a foundation instrumental for dancehall and reggae. The real rock is just a part of Reggae music that is never going to stop. You are going to hear that beat in movies, on your radio, on your mix tapes, and in your parties. I kept the mix short and spicy so it doesn’t get boring.
If you love reggae music and have been listening from back in the days, then this should be nostalgic for you. This is a dedication to you, REGGAE LOVER,
The Shank I Sheck originally was a 1964/1965 Ska instrumental by Baba Brooks with production by King Edward on the Rio Records label. Rio is a subsidiary of Direct Records Ltd. and later Doctor Bird which like the other top Jamaican labels of the 1960’s had most of their releases distributed by Trojan Records. There have been hundreds of songs released on various versions of this instrumental over the decades with many top rated hits peaking in the 1980s and 1990s. The riddim track was a favorite for deejays and singers to perform over and a huge dub plate riddim for sound system selectors to record dub plates on as well.
‘The Honorable’ Beres Hammond is an iconic Jamaican reggae singer. Known in particular for being a pioneer in lovers rock music he is a top class entertainer. No matter the mood, listening to Beres sing always makes it better.
He is celebrated for passionate singing, superb songwriting, professionalism, and consummate showmanship. Beres has landed hit after hit dating back to the 1980s. He is a true living legend. Please enjoy the sweet sounds of a Beres Hammond in this episode of Reggae Lover by Highlanda Sound.