The highly anticipated music video for “You Girl” performed by Shaggy featuring Ne-Yo premiered
to the public October 16, 2013 on Youtube and VEVO.
“Growing up in the studio was absolutely normal for me, but looking back, I realize that it’s not a very common environment for a kid,” Elle says.
With the release of her debut album, Perfectly Imperfect (MBK Entertainment/RCA Records), which she wrote and co-produced, it’s evident that her early experiences have served her well. Crafting the album also proved to be a full-circle moment for the 22-year-old singer/songwriter as she enlisted the help of her parents – Jimmy Varner and Mikelyn Roderick – both of whom contributed their production and vocal arrangement talents and pushed Elle toward, and beyond, the bounds of her creativity. When asked to describe her feelings about the finished product, Elle takes a moment to ponder the question.
“I can honestly say that I’m in love with every song on this album,” she says, matter-of-factly.
“Nothing compares to being in a venue where a reggae band is performing live. The rumble of the bass lines surround you in a warm embrace and you can’t help but to rock and skank as you are transported to another realm and higher level of consciousness. This describes the effects of the power that live reggae musicians have over the masses.”
Third World is a Grammy nominated Jamaican reggae band formed in 1973. Their sound is influenced by soul, funk and disco. Third World’s greatest success came in the late 1970s and early 1980s, peaking with their cover version of The O’Jays’ “Now That We Found Love”, a hit single on both sides of the Atlantic in 1979. Here is a Third World performing “Now That We Found Love:”
This song brought them to the attention of Stevie Wonder, who worked with them and wrote (along with Melody A. McCully) their song “Try Jah Love.” This band still records and tours to this day so definitely check them out if they come to a venue near you. Visit Third World online at http://www.thirdworldband.com/
This Jamaican reggae group was formed in 1968 by the brothers Ian and Roger Lewis in Jamaica. The band released its debut album in 1974 on the famed record label, Trojan Records, and resigned in 1979 to Island Records, where the internationally successful album Everything Is Great originated. They are responsible for the 1989 song “Bad Boys,” which serves as the theme song for Fox Network’s long-running television program COPS. Here is Inner Circle with “Bad Boys:”
Jacob Miller, the frontman and lead singer, was killed in a car crash on March 23, 1980. The band appeared in the reggae cult film Rockers in 1978. Their second American hit, reaching #16 on the Billboard Hot 100 in 1993 was “Sweat (A La La La La Long)”, which was a #3 hit in the UK. Here is Inner Circle with “Sweat:”
Steven Huey reports, “Generally a protest-minded Rastafarian outfit, Steel Pulse started out playing authentic roots reggae with touches of jazz and Latin music, and earned a substantial audience among white U.K. punks as well. Their 1978 debut, Handsworth Revolution, is still regarded by many critics as a landmark and a high point of British reggae. As the ’80s wore on, slick synthesizers and elements of dance and urban R&B gradually crept into their sound, even as their subject matter stayed on the militant side. By the late ’80s, Steel Pulse had won a Grammy and were working full-fledged crossover territory, but never reached the same degree of commercial acceptance as Aswad or Inner Circle. They subsequently returned to a tough-minded, rootsy sound that nonetheless made concessions to contemporary trends with touches of dancehall and hip-hop.” Here is Steel Pulse performing “Rally Round:”
In 1993 they performed at Bill Clinton’s inaugural celebration, the first reggae band to appear at such an event. Visit Steel Pulse’s website for more.
From Vh1: “Aswad was arguably Britain’s most successful reggae band, in terms of both popularity and longevity. Critical opinion on their body of work is often divided; some hail their early material as the greatest roots reggae Britain ever produced, while others find their later pop-crossover phase more distinctive and unique, even at the expense of authenticity. Regardless, Aswad’s ability to adapt themselves to the changing times — new musical trends, shifting personnel — was ultimately the driving force behind their decades-long career.”
Aswad was often hired as backing musicians for touring Jamaican stars: Bob Marley, Burning Spear, Dennis Brown, and Black Uhuru.