Listen for analysis of what’s been going on with sound clash culture in 2020 and predictions of where we see things going in the future based on key indicators like dubplate cutting, the lack of youth in the arena, and more.
This is for others who share a passion for sound clash and listeners who have the slightest curiosity. Read on for a collection of sound clash culture-related resources and links in one place.
Among the themes discussed on this sound clash culture in 2020 episode:
Which sounds are in the top, heavyweight tier globally?
Why are European and Japanese sounds not joining the online dub showcases and clashes?
How was the golden era of sound clash and reggae music financed?
Is sound clash culture bordering on extinction?
The expensive hobby of cutting dub plates and its economic implications.
For the full show notes including Buzzworthy, The Tastemaker segment, plus Sound Clash Resources and links, visit ReggaeLover.com
This episode explores the current trend of celebrity producers and song-writers going live and competing in pseudo-soundclash fashion.
Selectors are juggling live and clashing on social media channels like never before. The music industry must continue to thrive using the technology that’s available whether through live content, on-demand, or both. The lock-down situation will no doubt push the limits of what’s possible.
An exclusive in-depth interview with selectors Killa Boo and King Pin of King Addies. King Addies is an International Sound System created in 1983 in Brooklyn, New York City. They remain a force to reckon with in the sound clash arena and a top choice for juggling.
Driveway shares best practices for networking, marketing, and building a community using social media. We talk about his passion for dancehall culture, the mission to showcase Atlanta talent, and much more.