Jamaican actress Jacinth Headlam is the special guest joining the crew. Jacinth talks about her Jamaican heritage and her new book “Love After.”
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Jacinth is transparent about the challenges and advantages of being a Caribbean woman in entertainment. She talks about her reggae inspiration and favorite artists from then ’til now.
If you are in the reggae music recording industry or thinking about getting into the business, then you need to hear this.
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Listen to this if you love reggae music and consume it via streaming services, digital downloads, vinyl records, CD, mixtapes, concerts, and/or dances.
In this episode of “Reggae Lover,” we discuss the current landscape faced by reggae artists from Jamaica and other Caribbean countries. This includes looking at how music distribution has changed in recent years and the impact of copyright laws.
We offer tips to help up-and-coming artists steer away from the evils of the business and suggest avenues of potential revenue that are commonly overlooked. This includes discussion of global trends as it relates to reggae and dancehall.
We tackle questions like Who is making all the money? Should artists go independent or pursue recording contracts with major labels? How can reggae/dancehall artists compete in the global marketplace? Are the GRAMMY awards even relevant?
This mix features reggae’s vocal harmony groups from the 60s, 70s, and 80s.
I took it back to the roots on this one. I focused on songs with an impressive vocal arrangement. This is a specific selection of songs with male singers harmonizing together.
I featured The Wailers, mostly from the “Catch A Fire” album. That album has that very dry, grassroots sound. This was before instrumentation such as horn sections and electric guitars were added. Before the female energy of the I-Threes was added.
The mix also featured some of The Heptones‘ Studio One era hits. I dropped in some original Israel Vibration before they split. Other groups featured are The Techniques, The Abyssinians, The Gladiators, The Sensations, The Mighty Diamonds, and The Silvertones. You also hear songs from Lloyd Parks and We the People, The Sharks, The Royals, The Cables, and The Flames.
Listen to those names and you know these brothers were from a different time. These vocal groups created some of the most beautiful music and the most powerful songs. You feel their passion because of the emphasis conveyed within the harmonies. There was something special about those days.
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Its the sweet soulful sound of great reggae music! If you enjoy this, check out episode 74. It’s entitled “The Greatest Reggae Bands of All Time (not including the Wailers).” That show features Aswad, Steel Pulse, Third World, Israel Vibration, Black Uhuru, and Inner Circle. Similar material is on The Studio One tribute episodes: 55 and 56.
It’s a new season of the podcast! I am back in full effect with new shows coming out every week until the end of the year. Thank you so much for listening. If it’s your first time, this is a livication to you, the reggae lover.
Whether you know the songs you hear on this show or not, my goal is that you feel uplifted after listening. I want you to feel joyous and happy. The music should help you to transmute any negative energy into positive. You should enter a different frame of mind via the therapeutic mixes and level up.
For booking information or to sponsor this podcast, email reggaeloverpodcast@gmail.com. Thank you to everybody listening from around the world. I love that you get to tune in and listen to me doing what I love most. We are sharing a vibe and keeping this music alive. Until next time, have a great week. One love!!
We salute our dancehall trailblazer, king of digital reggae, sound system owner/producer Lloyd James aka KING JAMMY. This is the first half of a megamix featuring some big tunes and riddims from the Jammys catalog.
For more King Jammys vibes check out episode 4 (Sanchez, L.U.S.T and Friends – 80s Lovers Rock), episode 5 (Superstars Hit Parade 1987-1989 Tunes/Riddims), episode 10 (Dancehall Time Traveling Back to the 80s and 90s), episode 36 (Stalag meets Sleng Teng), episode 39 (A Late Eighties Reggae Dream 1979-1991).
Also see our tribute episodes featuring Cocoa Tea, Sanchez, Johnny Osbourne, Frankie Paul, and Josey Wales – artists who all recorded hits released on the Jammy’s label. Lots more to come… all dedicated to you, #reggaelover.
Cocoa Tea’s voice is smooth and easy-going, yet very powerful. He was one of the most popular artists in Jamaica during the 1980s and went on to international stardom in the 1990s.
77 – Reggae Lover Podcast – The Very Best of Cocoa Tea (1984 – 1994)
This episode focuses mostly on selections from his early catalog – songs released on the Volcano, Jammy’s and VP record labels from 1984 to 1994. This is sweet sweet Cocoa Tea!
76 – Reggae Lover Podcast – Tribute to Fatis Burrell
Blessed love and respect massive! This is Kahlil Wonda of Highlanda Sound welcoming you to episode 76 of the Reggae Lover Podcast featuring songs produced by the late, great Phillip ‘Fatis’ Burrell, Jamaican reggae music producer and icon – the CEO of the Exterminator (Xterminator) record label. Sit back, relax and enjoy!
The Reggae Lover Podcast returns with a new episode. This one is some curated live audio from a session in ATL recorded 10-14-17. There are many more mixes coming so stay tuned. Thanks to all my subscribers, listeners, and supporters around the world! #reggaelover
Take a listen. The Crown Prince of Reggae, Dennis Emmanuel Brown kicks off the mix and closes it out with the same song in a different style. The Real Rock Riddim is the most versioned reggae Riddim and the most sampled reggae instrumental in history.
The original was played in 1967 by one of Coxsone Dodd’s session bands at Studio One, the Sound Dimension band. Ever since then it’s been a foundation instrumental for dancehall and reggae. The real rock is just a part of Reggae music that is never going to stop. You are going to hear that beat in movies, on your radio, on your mix tapes, and in your parties. I kept the mix short and spicy so it doesn’t get boring.
If you love reggae music and have been listening from back in the days, then this should be nostalgic for you. This is a dedication to you, REGGAE LOVER,
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The Shank I Sheck originally was a 1964/1965 Ska instrumental by Baba Brooks with production by King Edward on the Rio Records label. Rio is a subsidiary of Direct Records Ltd. and later Doctor Bird which like the other top Jamaican labels of the 1960’s had most of their releases distributed by Trojan Records. There have been hundreds of songs released on various versions of this instrumental over the decades with many top rated hits peaking in the 1980s and 1990s. The riddim track was a favorite for deejays and singers to perform over and a huge dub plate riddim for sound system selectors to record dub plates on as well.
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Highlanda Sound 